造物的😚:😀🙄奇迹

剧情简介

Wunde]r😃🤮😉 der Schöpfun,🙄😘(g 🤮😄is an ex&,\traord>😍🤤inary, fascinating Kulturfilm t😇<🤪ryi🤨ng to explain /😬the whole h😐🤐:uman knowledge of the 192😀0s ab😍[😋:🤫out the w😅🤭or🤫😬ld and th^(😅🤒e 😋😏😪universe. 15 spe😍😇cial e🙂*ffects🤔'🙃🤢 ex\😌perts 😔🤑 and @🤣9😍😷🤨🤢 camerame😄n w$😬:🤩e🤨_re involv^😗😋ed 😋%in 😚😪^_the 🙄pro😚🥰,🤑d'🤨😅ucti😙🤕😊😑on of thi🤨s film whic 😋😑h 'combines 😇 %+doc@+^umentary scenes, hist*🤔o😁!😅rical docum🤫.ents🤥😀🤔, fiction😊/ elements,=# animati&😷on sce😑😌😀😶nes >and educat🤥🙄🤒ional impac'😝t🙂&😉. It it
:`s🤩🤕>🥰😉 b🤭🤭eautif🙄ully co+😴;lo🤨😑😛r😁#ed>$😂, u')😔 sing tin(🤐🤫ting an😉-%d🤗😑 ton😬 😄ing😷🤒 in a v# e😴_r`🙄🤮🙄y ela😑🤩%borated w,😑ay. So😝😏😪<me/ v😊isua😏>l ide😏🤔>😅as in the 😚:sequences with a spa&ce s#
😔$huttl😆😃 e*🤪;; vi😊+😪siting d🤢!iffere😷😂/<nt plane😚🤢ts?🤨 in the[' unive🤪🤨😅rse seem to h😁🙃🤤ave -😋to be the ins(>🤒🤢piration fo😇😌r Stanley Kub*🤤🤥rick's🤨🤫🙄😗
2001.😗 A Space Odyss%*ey.　😷 😃　In+🤔🤑😏😒 the context of Ge😛rmany\?😙='s Kultu^rfilm phe😇no😉🥰😪me😉non, Wunder  der Schöpfung was amon😃🤗g t"🤪he<🤑 greatest🤩 achiev😇😶.😛ement🤒😛🤢🤨s@ 🤐 of the 1920s. The🥰 produ😪😅"ctio<🤣😴n w😃😙🤨😴😁as constructed,🥰🙂$🤔 r*ehears🙂/ ed, and shot over a period o🤨"f two and 😋!🤭a h_alf years,😏😴🤐😀 un"😴🤕der the su😴pervisi?😘😙<on🤤!😛😇😘 ;😂o😝%😘f Hann😬😐😐s Walte[🤤+:r Kornblu🤭🤢🥰😋😝m. 🤥😏\The😀😌😬 idea to 🤪😌🥰describe<🤥'😄 the un😛😌iv😔<'😃🤑e!"rse and man's place=😃 😑🤗😏i)🥰)(
n it we 😅&😐ll 🤒=🤣suited UFA's🤪 Grossfilm😋
m🤔+=entali:ty, ?😏🤢on🤗e year befo😀😑(`re the Metropolis catas🙂'trophe. Hundr😚:😍+eds of+🤐😀 🤑😂😀,skilled cra😌😪ftsmen pa 😁🤑_r@ticipated in the 🤥!project, bui😋🤗😌😝🤑lding pr?🤤o🤩😒ps and c _ons:truct🤮😁'i😷🤗-😷ng scale m/🤮🙃odels draw,🙃n& by 15 speci🤫🤤😑al effects dra😙🙃😝>_u?)ghtsmen"*'😛, whi😏😜le 9 c🤣;😷a🤤meramen )🥰+in se😜 /p😒!arate unit😁s worked on the historica 😍l😂😋😔, documentar%😴<y, fictio😃😛😄-🤔n, :😃ani#+mati🤒$😅😁o😅🤨n, and scienc😝🤕 e🤣-fiction s🥰-eque😘😆🤩nc+😐😑🤫es!🙄.)🤭. 😒'Without<🤕;# star r🤒.oles or ev😄  en🤢., prot😑?🤩agonist)s😷😴;😜😀, th!😀 e film😅`🥰's plot😉]😑 is-'🤑@ crowd$)😶e🙂d w,🤮😅]ith ^😊 😒🤫😋met😏🙃icu]l🙃😬🤑ously:/ str
]uctured and\😒 skillfu!😋😉lly acted 😆🤥😆single scenes an a[=("r=🤩😪tful mosai🤒c of smal🤥😍<l 🤭🤢vig🤩;nettes. 🤭No🤤! )😚😆(le😒🤮ss than four'😝. c ^🤗redited😏🤣 unive-#😍+rsity profes😂😷😏😙sor/
😌<?s ensured 😑;😪\😝the factual$ background>🤣🤐! 😌 😃behind th🤭😊e scien😴/>?tif🤣<(ic and historic-al e😛🙃🤑vents portray_!🤩ed.　　The film's symbol of >`prog🤩😋`ress #an>*🙄d ,😒😷the new scientific era is a spa🤔🤒c &!ecraft?🤫;:😁,>🤥🙄 travelling throug@😉h the Milky Wa🤫;😁y, m@🤪ak*🤒ing all the p😂😇😶🤭😋la😘😄😪nets and their🤕😒 in😔😄😋+[s!piring 😪)😔wo:😴rlds familiar to us, with the >🤗ext)rava🤫g/(an😗&😋za of their😶😀 .
&😙dist(inctive features. 🤢🤔😊;The fi🤕/)l😇🙄m's educat🙄😇😔$iona🤔>l🤐😚😜 in😋 _t:😒&en😴🤕!😚ti🙂-o😋😘🤪>.ns, how,ever!&😶_, become steadily mor😄:e o🤣🙄!b*😝scure🤢!😍, !😇humorous, or even campy as thi🤑 🤫😝s 🤒#"😒[popula\$=😌rization project proceeds. With 😗😁th😁e excuse of presenting🤭 😆 the end]😔🤗 o😏,😂@f 😗))the 🙃🤗🙃wo_rl-&d 😄😝!🤒a not-🤢😆s😄(o-n😏😍 ew concept as a 😋😋😬]😑ne 😘w, un😂🤤🤔d.🤣e😛😝niably scientif🤪😘(>ic truth😁😌😘, th😌e film v🙂🙄😚eers 😂\>😀happily al<,😶o)🤑ng 😊🙃a n!😙😗ew path"🤫🤗😐, dis%;playing deta,🤐`😌
i^🥰😐led apocal[🙃ypti;🤣:@c🤤🤔🤨🤨 🤤+scenes of🤑😉
the end ;😙😒o'.f mankind.-) For tod>_😝ay's😚🤗😬 🙂^🤗<a😃🥰udi(😪ences, this ?😏am%😬🤕 ;azing -film demonstrates how^ the$;?" 🥰$🙃😁universe w,as comprehe(nded in ,😪the 1920s, and how t😜🥰😒;hat view was s`🤣😂
old to co(ntemporary audi^🤑ences.